Amami Superman Photography

A Place to Share My Photos

Feb 10, 2010

Sakura in the Rain

Posted by Amami Superman

Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 200mm, 1/40 sec, f/5.6, ISO 800 -- EXIF
Sad Looking Sakura


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/250 sec, f/4.0, ISO 1600 -- EXIF
Gathering Petals


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/500 sec, f/4.0, ISO 1600 -- EXIF
What Will They Do With These?


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 200mm, 1/160 sec, f/5.6, ISO 1600 -- EXIF
Cold, Wet and Tired Looking

Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 102mm, 1/500 sec, f/4.8, ISO 1600 -- EXIF
All Singing a Sad Tune

Rain, rain and more rain. That's pretty much all we had over the past week. I was lucky enough to take the setsubun photos while it wasn't raining, but it's been pouring ever since. I'm afraid I'm going to miss the sakura season if it doesn't stop. Even though it was raining cats and dogs today, I still took the family out for a drive to check them out. The weather forecast is saying it's going to be rainy for the next week, but weather forecasts are pretty much unreliable until about the day before here in Amami. Hopefully it will change.

So what would a little girl do with cherry blossom petals? You'll have to wait for my next post.

Feb 9, 2010

Bus Stop

Posted by Amami Superman

Nikon D60, Sigma 30mm f/1.4, 1/160 sec, f/5.0, ISO 400 -- EXIF
All Lined Up

On the way back from Takachiho Shrine last Wednesday, I came across some girls that go to the same school as my daughter. Although I didn't know them, they all knew me. As I was walking towards them, I could hear them saying, "ジェイドのお父さん" (jeido no otousan), which means, "Jade's dad". I thought they were cute all standing in a row holding their umbrellas and bus passes dangling from their randoseru. I had to take a photo.

We've been having some pretty sucktacular weather since last week. I want to get out and take some sakura photos but I'm afraid I'm going to miss them. We took a drive up to the mountains were I photographed some earlier last month. Half the trees were finished but a lot of them were still mid-bloom. Although it was raining, I still got out to try and take some shots. I'll save those for a different post.

Feb 8, 2010

Mame Maki 2010

Posted by Amami Superman

Nikon D60, Sigma 30mm f/1.4, 1/200 sec, f/2.0, ISO 800 -- EXIF
Mame Maki Peanuts

Every year during setsubun, they have a festival/celebration type ceremony called mame maki. Mame maki basically means bean throwing. Usually dried soybeans are used, but peanuts can also be used. The beans are a symbol of good luck and can be used to throw at demons to drive them away or to throw at others for good luck. I found a nice explanation of what the beans symbolize here under "fukumame".


Nikon D60, Nikkor 18-55mm f/3.5-5.6 @ 18mm, 1/500 sec, f/3.5, ISO 400 -- EXIF
A Crowd Is Forming

When I first got to the shrine that day, there was no one in sight. As it got closer to otakiage, more people started to show up. After the otakiage, there was a nice little crowd starting to form.


Nikon D60, Nikkor 18-55mm f/3.5-5.6 @ 22mm, 1/200 sec, f/4.0, ISO 400 -- EXIF
Almost Time

I imagine that if the setsubun fell on a weekend day, there would be plenty more people. As it turned out, setsubun fell on a Wednesday. Mame maki was set for 3:00pm so people would still be at work and elementary children and up would still be in school.


Nikon D60, Nikkor 18-55mm f/3.5-5.6 @ 36mm, 1/100 sec, f/5.3, ISO 200 -- EXIF
Anticipation

These children in the red hats are from a pre-school. Most pre-schools finish at 2:00pm here in Amami so I imagine these kids are apart of the after-school daycare service most pre-schools provide.


Nikon D60, Sigma 30mm f/1.4, 1/1250 sec, f/1.4, ISO 400 -- EXIF
The Bean Throwers

Before the actually bean throwing, the people throwing the beans went inside the shrine and participated in some sort of rite. After the rite was performed, they came out with the beans and got ready.

It was about this time that my photos really started to suck. From motion blur to out of focus shots, I wanted to kick myself after I saw them that evening. If the out-of-focus shots were in focus, I think they would have been some really great shots. The mame maki only lasted a minute or so, so I didn't have a chance to check to see how they were turning out. I was so excited to get home and check them out. When I did get home and looked at them, I wanted to go into a rage and destroy something. Well, not really. I was just sad I screwed them up. I did get a few OK shots though.


Nikon D60, Sigma 30mm f/1.4, 1/640 sec, f/1.4, ISO 400 -- EXIF
Let the Throwing Begin!


Nikon D60, Sigma 30mm f/1.4, 1/1250 sec, f/1.4, ISO 400 -- EXIF
Mid-catch


Nikon D60, Sigma 30mm f/1.4, 1/1600 sec, f/1.4, ISO 400 -- EXIF
Ready to Catch


Nikon D60, Sigma 30mm f/1.4, 1/1000 sec, f/1.4, ISO 400 -- EXIF
Scrounging

It was amazing to see even the older folks getting down and scrounging up the peanuts that fell to the ground. It reminded me of little kids gathering up candy after a piñata had been cracked open.


Nikon D60, Sigma 30mm f/1.4, 1/250 sec, f/1.4, ISO 400 -- EXIF
Standing in Line

After the mame maki, they handed out omamori which are basically good luck charms. The actual word mamoru means to protect or defend. So an actual direct translation would be a protection charm.


Nikon D60, Sigma 30mm f/1.4, 1/125 sec, f/1.4, ISO 800 -- EXIF
Handing Out the Omamori


Nikon D60, Sigma 30mm f/1.4, 1/1250 sec, f/1.4, ISO 200 -- EXIF
All Set for the New Year

When I first heard about setsubun, my first question was, why don't they do the good luck thing during New Years instead of a month after? I first thought that maybe it had to do with the Chinese calendar but after a bit of study, I found I was wrong. I thought I would take a bit to explain what setsubun is.

Setsu means season and bun means part or division. They use the word setsubun to refer to the day before the first day of a season. Now days, setsubun is referred to as the day before the first day of Spring. Although they had calendars thousands of years ago in Japan, not everyone used them. Instead, many people went off the lunar cycles for their calendar. Because the the Spring setsubun was also the day before the Lunar New Year, it was also considered New Year's Eve.

So to answer my first question, why don't they do the good luck thing during New Years instead of a month later? Well they do, if you use the lunar calendar like they did a long time ago.

Feb 7, 2010

Otakiage 2010

Posted by Amami Superman

What is setsubun? To go through and explain what setsubun is and how it originated would take some time. I'll try to give you a really short explanation.


Setsubun is a ceremony or festival all about bringing in good luck for the New Year. It's always held on February 3 and is celebrated throughout Japan.

One of the things they do to bring in the good luck is drive out the bad. Probably the main thing associated with this is an event called mame maki. Mame maki involves throwing beans (or peanuts), at demons and monsters to drive them away or for throwing at/to people for good luck. Some people follow this tradition in their own homes. The father, or head figure of the family, would put on a demon mask and the children would throw peanuts at him while yelling, "oni wa soto, fuku wa uchi!", which basically means, "Demons out, good luck in!" They also do this kind of thing at shrines.

Another ceremony they perform at shrines during setsubun is otakiage. In my previous post, I posted some photos of omikuji and ema. Otakiage is the burning of these items from the previous year. These are some of the photos I took of that event here in Amami.

Nikon D60, Sigma 30mm f/1.4, 1/30 sec, f/4.0, ISO 100 -- EXIF
Beginning of the Otakiage Ceremony


Nikon D60, Sigma 30mm f/1.4, 1/30 sec, f/4.0, ISO 100 -- EXIF
Performing the Rite


Nikon D60, Sigma 30mm f/1.4, 1/50 sec, f/4.0, ISO -- EXIF
Carrying the Flame


Nikon D60, Sigma 30mm f/1.4, 1/80 sec, f/4.0, ISO -- EXIF
Lighting the Fire

Along with burning omikuji and ema, they also burn charms and talismans from the previous year. The charms and talismans are for all kinds of things. Most of them are for good health. There are also some for business success, safety for driving automobiles, school and study, etc.


Nikon D60, Sigma 30mm f/1.4, 1/100 sec, f/3.5, ISO 100 -- EXIF
Loading It On


Nikon D60, Sigma 55-200mm f/4.0-5.6 @ 165mm, 1/60 sec, f/5.3, ISO 100 -- EXIF
Burning Ema

"To grow up healthy and bright. Nov 25, 2008" The ema in the middle of the photo is probably a wish about a newborn child.

Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 135mm, 1/60 sec, f/5.0, ISO 100 -- EXIF
People's Wishes for Last Year

"To grow and always be bright and healthy with a cute smile." Another ema probably for a child.

"To pass the entrance exams for Amami High School. I WILL PASS!" Written on the ema at the bottom of the photo.


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 55mm, 1/160 sec, f/4.0, ISO 100 -- EXIF
Getting Hot


Nikon D60, Nikkor 55-200mm f/4.0-5.6 @ 200mm, 1/60 sec, f/5.6, ISO 200 -- EXIF
5 Corner Ema - A Wish to Pass a Test

I'm not sure if this is correct or not, but while writing this post and reading the Japanese written on this ema, 五角 (5 corners) and 合格 (to pass), are kind of like homonyms. 五角 is GOKAKU and 合格 is GOUKAKU. They both sound the same when spoken quickly.


Nikon D60, Nikkor 18-55mm f/3.5-5.6 @ 45mm, 1/800 sec, f/5.3, ISO 200 -- EXIF
An Inferno

So that was otakiage they do for setsubun here in Amami. Because Amami is such small place, this ceremony is dinky compared to the big places in central Japan. My friend Jeffrey Friedl made a post in his blog a few years back of setsubun at the Heian Shrine in Kyoto. He has some fantastic photos and you really get an idea how big this event can be.

Later on in the afternoon they had the mame maki event. I have to admit, my photos pretty much sucked for that. But I'll try to share some in my next post.

Feb 6, 2010

Takachiho Shrine

Posted by Amami Superman

Nikon D60, Sigma 30mm f/1.4, 1/40 sec, f/3.5, ISO 100 -- EXIF
The Entrance


Nikon D60, Sigma 30mm f/1.4, 1/40 sec, f/3.5, ISO 100 -- EXIF
Inner Entrance


Nikon D60, Sigma 30mm f/1.4, 1/400 sec, f/1.4, ISO 100 -- EXIF
Cherry Blossoms on the Right


Nikon D60, Sigma 30mm f/1.3, 1/160 sec, f/1.4, ISO 100 -- EXIF
Temizu Basin

The water in the basin is used for purification. You wash your hands, mouth and sometimes your feet before approaching the shrine.


Nikon D60, Sigma 30mm f/1.4, 1/500 sec, f/1.4, ISO 100 -- EXIF
Omikuji

An omikuji is a fortune. These fortunes tell you what kind of luck you will have over the next year. Once someone receives their fortune, they tie it to a line like in the above photo.


Nikon D60, Sigma 30mm f/1.4, 1/400 sec, f/1.4, ISO 100 -- EXIF
Ema

These wooden plaques are called "ema". You write your wish or desire for the New Year on them.


Nikon D60, Sigma 30mm f/1.4, 1/50 sec, f/4.0, ISO 100 -- EXIF
At the Steps


Nikon D60, Sigma 30mm f/1.4, 1/13 sec, f/4.0, ISO 100 -- EXIF
Where Prayers Are Said

When one goes to say a prayer, they usually throw in a donation into the box in front of the rope. The rope has some large bells attached to the top and after you throw your money into the box, you give the rope a good shaking. You then bow once or twice and clap your hands together twice holding the second clap and say your prayer. Once your prayer is complete, you bow again and you're through.


Nikon D60, Sigma 30mm f/1.4, 1/13 sec, f/4.0, ISO 100 -- EXIF
Artistic Craftsmanship

Most shrines in Japan have this sort of artistic craftsmanship. The larger shrines in central Japan dwarf this small shrine in size and it makes me wonder about all the work that goes into making a big shrine. The only big shrine I've every been to is Dazaifu Tenmangu in Fukuoka.

They were going to have a special event here at the shrine and I wanted to get here early. I arrived about an hour before the event started and I took some time to walk around and snap shots to get a feel for the area.

I'm not exactly sure when but this shrine was rebuilt about 15 years or so ago. I vaguely remember them doing construction on the shrine around the time I first came to Amami. I know that the shrine is older than 15 years because I've read in books that hunger protests were held at the shrine back in 1951 prior to the return of the Amami Islands to Japan. Following WWII, Amami was under American control for about 7 years. Before the actual Peace Treaty with Japan was made, a copy of the final version of the treaty was aired over the radio and nothing was said of the return of the Amami islands to Japan. This caused a significant amount of distress to the people of Amami which in turn led to the many hunger protests. The event I was there to see has nothing to do with this. I just thought I would share some Amami history with you.

As I was writing this post, I was trying to remember the name of this shrine. Every time I said "Takachiho", I was like, "No, that's the dairy farm we visited back in November." I asked my wife and it turned out that the name is the same as Takachiho Farms.

Feb 5, 2010

Alpha and Omega

Posted by Amami Superman

If you've ever been to a shrine in Japan, it's more than likely you've seen guardian dog statues like these. They are called different things throughout Japan. I believe that they call these statues "komainu" in the central part of Japan. In the southern islands of Japan, like here in Amami, they call these statues "shisa".


Nikon D60, Sigma 30mm f/1.4, 1/1000 sec, f/2.0, ISO 800 -- EXIF
Shisa

I asked one of the priests at the shrine here in Amami why one had its mouth open and the other had it shut. He explained to me that the one with the open mouth is making the "a" sound, and the one with the shut mouth is making the "n" sound. "a" and "n" happen to be the first and last characters in the Japanese alphabet (あ and ん). He basically said that it means the beginning and the end. "The alpha and omega."

I had the opportunity to go take some photos of an event they have each year at the shrine here in Amami. As I was talking with one of the priests, he mentioned that they were short staffed and didn't have anyone to take photos of the event. I told him I would be more than happy to help out and he seemed more than happy to have someone take photos. I took around 500 photos in the space of a little more than 3 hours. I'm still sorting through them trying whittle down the numbers. Hopefully I'll be able to do that today and get them a disc of the photos I took.

The above photos were made black and white inside of Lightroom 2 and put together in Photoshop CS3. Both of the photos were taken using the same camera settings, but the metadata will be off because it's only for 1 photo.

Feb 4, 2010

Nikon FM2, Nikkor 50mm f/1.8

Posted by Amami Superman

Nikon D60, Sigma 30mm f/1.4, 1/15 sec, f/6.3, ISO 1600 -- EXIF
Nikon FM2, Nikkor 50mm f/1.8

My knowledge and experience with film cameras is pretty much zero. I have an old Argus (Cosina) CSM, 50mm f/1.7 camera that friend let me use and I wanted to know if it worked. I went to another friend's photo print shop and bought some film from him (actually he gave it to me), and snapped a roll of 36 at a river just near his shop. I took it back to him and he developed the negatives. It turned out the shutter on the camera was faulty and only opened part way. Oh well.

My friend that owns the print shop is a great guy. His name is Toshihiro Nagai. We have a lot in common. He's the same age as me and has been taking photos since he was in junior high school (about 20 years). Most of the photos he takes now is all for work and he's kind of lost the flare for it. Now it just seems like work for him. I was looking through his old black and white photos he developed and printed himself and I must say that he really has an eye. I wish I could get him involved a bit more and go out with him sometime to take photos. I feel I could learn a lot from him.

Anyway, as I was talking with him and looking through his old photos, he said I could have one of his old cameras he never uses anymore. I was like, "Have?" He went through his dry case and pulled out all sorts of different cameras. Then finally, down at the bottom, way in the back, he pulled out this Nikon FM2. "I'll give you this." He said as he slapped on a Nikkor 50mm f/1.8 lens. I was like, "Wow, are you serious?" He explained to me that he never uses it and it just collects dust and the lens grows mold. I was tickled. He even gave me another roll of 24 ISO 100 to try it out. He didn't have any batteries for it so I had to go pick some up. I stopped off and got some and headed home.

When I got home I put the batteries in and tried to figure out how the range finder worked. + ○ - seemed easy enough. I started out with trying to take a shot of our dog Missy.


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Missy Needs a Haircut

I then walked outside and took a few shots just outside my wife's shop.


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Gasoline Stand Servicemen

Next thing I knew, I was walking down the street taking shots of different things.


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Flowers

Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Old Broken Down Scooter

As I walked down the street, I came up to a fresh seafood store. They have all sorts of fish and live seafood. I asked if I could take a few photos and they were more then happy to have me. They even brought me around back to see some of the stuff they were preparing.


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
I'm not sure if these are shrimp or prawns. I'm out of life lines so I'll go with...
Prawns... Final Answer

I have to lol about this. I have some Australian friends who got after me when when I called some prawns "shrimp". They were kind enough to set me straight and told me Americans are dumb and don't know the difference between shrimp and prawns. They said something about gills and big and small. I still don't know the difference when I see them. All I know is they taste yummy in my tummy.


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Fish in Plastic Wrap Behind Glass


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Ise Ebi
(spiny lobster)


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Cleaning Fish


Nikon FM2, 50mm f/1.8, Film ISO 100 -- EXIF
Suwashin or Maybe Red Grouper
(I can't see the mouth to tell)

Just after this shot, I rolled the film and realized I was out. "What?!! That was 24 shots?!" I couldn't believe it. In the space of maybe 15 or 20 minutes I used up the roll of 24. I even took my time with each shot I took. I guess I'm just used to using a digital camera and taking as many photos as I want.

I rewound the roll and brought it back to my friend's shop to have him develop the negatives. He then used his negative scanning machine and saved them to a disc. The above film photos are just as he scanned them. I didn't do any post editing to them except for the scooter photo, I did a small amount of post cropping to level the photo. Out of the 24 shots I took in this roll, one was underexposed and a few of them were out of focus.

I decided a few days ago I wanted to try taking some shots with a film camera for fun. As I said, my knowledge and experience with film cameras is pretty much zero. I wanted to use black and white film but as it turns out, no one develops black and white film here on the island anymore. Oh well.

So what was my impression using a manual focus SLR camera? It was something new and fun for me. It was interesting using a camera I've never used before. That being said, the Nikon FM2 is simple and straight forward. Using the Nikkor 50mm f/1.8 felt a bit like I was using my Sigma 30mm f/1.4 on my D60. Very easy to use. I'm looking forward to taking more photos with this camera and lens in the future.

Owning a D60, I always read about one of the downsides to this camera and lenses. The D60 uses a silent wave motor in AF-S lenses for auto focus. AF-S just means the focusing motor is inside the lens and not inside the camera. I heard you can still attach non AF-S lenses and use them, you just wouldn't be able to use the auto focus. I decided to try it out and I put the 50mm f/1.8 on my D60. The first thing I noticed was you could only use the camera and this lens while in manual mode. The camera doesn't recognize there's a manual lens attached and none of the other modes would work. There's also no range finder so you pretty much have to guesstimate exposure, but that's easy, it's a digital camera. Here is a test shot of my daughter using my D60 and the 50mm f/1.8. I wasn't paying attention and I had the exposure bias set to -2/3 EV so it's under exposed. I didn't do any post editing.


Nikon D60, Nikkor 50mm f/1.8, 1/50 sec, f/2.8, ISO 800 -- EXIF
Manual Lens on My D60